Sustainable pictorial writing,

the dialogue with a collection

It is an intervention in which I proposed the cohabitation between the cultural and architectural heritage of the CACiS, made up with old disused lime kilns (where my work was located and which currently function as an art gallery), the work tools used in the transformation of limestone in a consumer product and photographs of their workers; jointly with the drawings and lithographs I call “Fragments of a path (O.F.I.C.I.O.)”. With this dialogue between different elements, I wanted to highlight what unites them: to be witnesses with memory of the work, the time and human work involved, in order to revitalize these values in the present.